Kenya’s Amapiano Rise Fueled by Spotify

by KenyaPolls

Five years after Spotify first arrived in Kenya in February 2021, the platform has evolved beyond a simple music service; it has become integral to how Kenyans discover, celebrate, and share music.

Listening habits demonstrated consistent growth from the start. Annual engagement has compounded, achieving an average growth rate of 68% through 2025. That single year saw Kenyan listeners dedicate over 203 million hours to the app, with a digitally adept audience averaging just 26 years old enjoying the vast musical catalog at their disposal.

Recent data reveals the average user explores tracks from 124 different artists. The standout development has been the meteoric rise of Amapiano. Originating as a South African genre, it has captured Kenyan imagination, with streams increasing an extraordinary 1,404% between 2021 and 2025.

Other genres have shown remarkable expansion: Gospel and Praise music surged 1,103%, R&B climbed 737%, Afrobeats rose 680%, and Hip-hop/Rap gained 520%. This diverse musical landscape demonstrates Kenyans embracing global influences while maintaining connections to local sounds.

Particularly significant is the increased consumption of music in Kenyan indigenous languages. Local music listenership has more than doubled (+101%) over five years, while globally, Kenyan indigenous-language tracks experienced +128% growth in 2024 alone, with a 69% year-on-year increase.

The demand for authentic storytelling, lyrics rich in cultural significance and personal experience, has never been greater, amplifying Kenyan voices across international borders. The all-time most-streamed artists in Kenya during this five-year period read like a global chart topper: Drake, Chris Brown, Future, Burna Boy, and Travis Scott have consistently dominated playlists. The most-streamed songs reveal a more nuanced narrative, blending international hits with local favorites. Notable tracks include Ruger’s “Asiwaju,” Ayra Starr’s “Rush,” Asake and Fireboy DML’s “Bandana,” Bien’s “Inauma,” Asake’s “Lonely At The Top,” Njerae’s “Aki Sioni,” Mutoriah’s “Beta,” Burna Boy’s “Last Last,” Future with Drake and Tems on “WAIT FOR U,” and Charisma’s “SINA NOMA.” These selections showcase the fusion of Afrobeats energy, Amapiano rhythm, and the emergence of Kenyan talent.

The local music scene has experienced significant growth. The number of Kenyan artists on Spotify has increased by 112% since launch, creating a thriving ecosystem of creators reaching audiences domestically and internationally. Kenyans have created more than 9 million user-generated playlists, while podcast consumption has exceeded 35 million hours since the platform’s introduction. Collectively, these figures illustrate a community not merely consuming audio but actively participating in its creation.

As Spotify continues with over 713 million monthly active users and 281 million Premium subscribers across more than 180 markets, Kenya exemplifies rapid, culturally rich adoption. Five years in, the platform has opened new avenues for listening, discovering, and promoting the music that defines the current moment, and the future promises even greater innovation.

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